Alias - Never Say Never

There are some things that never see the light of day. Artists get funded by a label to record an album and if the label isn't happy with the finished product, it can sit on a shelf gathering dust. This happens. The rise of grunge affected many rock releases in the early 1990s including Alias' Never Say Never which through fan fanaticism and bootleg copies has become a veritable 'holy grail.' So the album finally being released after nearly 18 years is well worth reviewing.

Alias' potency bursts out of the gate with the machismo challenge of "Woman Enough" and passing the torch to the Steve DeMarchi guitar-heavy yet chantable "XTCOI." This really does set an energy level for the release heading into the plaintive "How Much Longer Is Forever" which is one of many stand-out songs on the disc. Instead of just back-to-back rock tracks they interject the feel of a Victorian waltz on the ballad "Give Me A Reason" which also makes the next transition to the swaggering "Wild Wild One" more perceptible. "Pleasure And Pain" starts sultry in a David Coverdale delivery yielding into a few Black Crows-like moments -- vocally, this is a Freddie Curci highlight reel as well as a band that can merge genres and deliver solid songs. I could go through each of these 13 (as well as 4 assorted bonus tracks depending on which version you are purchasing) songs and inundate you with too much information.

What you need to know is Never Say Never is a bold rock album that is as diverse as it is deep. No song sounds alike or dated and each shows Alias as an act in their prime. It's a shame the album didn't get released when it was ready but maybe it took some time for people to recognize a good album for what it is. The only negative to the delay is the lack of a follow-up.

4 out of 5

Gary Wright - The Light Of A Million Suns

Gary Wright recently released his follow-up to 1999's Human Love album. Well, two follow-ups, in fact -- The Light Of A Million Suns EP (a 4-track set that includes one re-recording) and, the 6-track instrumental set, Waiting To Catch The Light. Let's take a closer look at Wright's new EP.

The Light Of A Million Suns opens with the explosive hip-hop/soul flavored re-imagining of Wright's 1976 hit, "Love Is Alive," with son Dorian Wright. The song is an absolute gem. I'm not saying the other songs don't hold up. The subtle use of steel drum and pan flute add an island atmosphere to "Little One" yet it retains lyrical depth in dealing with a cycle of isolation. Wright showcases another level of his vocal talents on the energetic and driving "This Heart Might Break Tonight." The Light Of A Million Suns closes with the emotionally aspirant "Hold On." The stark opening, keyboard solo, lush orchestration and anthemic chorus make this very memorable track.

The new version of "Love Is Alive" is a terrific launchpad for Dorian and would alone be well worth the price of purchasing the album. The only questions that Gary Wright's Light Of A Million Suns leaves me with is: "Why doesn't everyone have this in their collection yet?"

4.5 out of 5

The Bureau - ...and another thing

Formed in late 1980 by when the original line-up of Northern Soul act Dexy's Midnight Runners split-up, The Bureau would release their self-titled debut album in Canada and Australia in 1981. The band went their separate ways despite scoring a #6 hit in Australia with "Only For Sheep." The album was finally released in the U.K. in 2005 with several reunion gigs following. This led to a little recording by a reunited version of the band (sans drummer Stoker Growcott) that has led to the upcoming release of ...and another thing. (Due out in October 6th in the U.K. but is available for order at www.bureau.org.uk.)

The album leads with "Run Rabbit Run" brass-heavy soul/jazz fusion that sounds like they are really enjoying themselves. The opening reminds me too much of Cyndi Lauper's "She Bop" but it works as a hook for the gravely delivery of a dark narrative about a man and his pet. You can't dismiss the fun funk vibe that comes from "Save Me." There is a lot of James Brown to with track written by vocalist Archie Brown (no relation.) "Chance In A Million" is an emotional and pure piece. An interesting lyrical perspective that is hard to put your finger on with "A Fine Mess Rag" but an energetic rollercoaster ride. "Just A Word" is a great break from the Joe Cocker-esque vocal delivery early on the album although it harkens more toward Rod Stewart. It is a very beautiful use of horns and keyboards. You really start enjoying the instrumental layering and mix by the time "Falling" arrives. The album tracklisting (intentional or not) had "Divided In Two" and "Mad" switched. The former is a striking ballad and the latter is a frenzy of horns, organ, rhythm guitar in polka/country/blues. A strong jazz piano drives the meandering "Flying Lessons." "Nothing's Going To Stand In Our Way" may be the gem of the bunch with a strut that yields to lilting jazz and back in this duet between Pete and Archie. Also notable is the addition of bonus track of the haunting "Keaton's Walk" which was recorded before the group split up in 1982.

On ...and another thing, The Bureau have an amalgam of many different but alluring styles that they make their own. This is an enduring collection. The vocals on the early tracks take some getting used to but are acknowledged as character in the songs as much as Mick Talbot's keyboard delivery but both fuse together upon later impressions. This album is a joy to listen to and heralds the return of Northern Soul with a little more experience behind it.


3.5 out of 5

Swing Out Sister - Beautiful Mess

For a group that surfaced in 1987, Swing Out Sister have never taken much time off. You would discover -- going through their discography -- that they've been pumping out albums every two to three years...until now. Four years after Where Our Love Grows, Swing Out Sister have created their 9th studio album, Beautiful Mess, due out in U.K. stores on Sept. 8th.

The disc grabs your attention early with the teasing and tantalizing groove of the first single "Something Every Day." Right there is ample evidence that Corinne Drewery and Andy Connell aren't falling back on their previous successes. "Time Tracks You Down" is lyrically astute and songbird Drewery gets to stretch her wings on some notes here. Expected as a possible single, "Butterfly," is beautiful and percussion-heavy but repeat listenings wear out the wings. A slight bit more experimentation surfaces in the textures used on "My State Of Mind" but seems to overpower the track. Close your eyes and you can't help but think Motown when hearing the electric "I'd Be Happy" which is a true gem here. "Butterfly Lullaby" (an instrumental interpretation of "Butterfly") is aptly titled and not recommended on long drives but maybe slow dancing. Lush build-up going into "Secret Love (You're Invisible)" as it utilizes the lull created by the former track and makes an abrupt but welcomed jump. Would just love to hear that remixed for the dance floor. "All I Say, All I Do" falls flat a little while "Out There" recaptures the torch with a stark keyboard opening, lightening as the layers build. The title track re-energizes the set as the disc closes. I can't recommend the Little Wizard bonus remixes of "Butterfly" and "Something Every Day" as they just don't add anything positive to the originals.

I specifically recall my father referring to Sade as 'sleepy music' yet, entirely enjoying Anita Baker. Jazz in it's many variations has a wide range of reactions upon a listener. Technically, Swing Out Sister's Beautiful Mess hits all the right notes for this reviewer but I believe it repeats a few of them too often. Far from a mess, the album still shines more than not and fans will receive it with open arms.

3 out of 5

Blackmore's Night - Secret Voyage

Fans of Deep Purple and Rainbow may have had questions as to the disappearance of guitarist Ritchie Blackmore. In 1997, he went into the night... Blackmore's Night and hasn't returned. But what exactly is a return, anyhow, as it seems he's having fun there releasing 6 albums together up to now. Led by singer/songwriter Candice Night, the band have released their seventh disc, Secret Voyage.

Rock, blues and country are an odd lot as they owe a lot to what has come before and even more to cross-pollination. New age music owes a lot to jazz and most music goes back to the days of the traveling minstrel. That is where Blackmore's Night come along and blur some lines between the Renaissance, Greek, rock and pop. The disc begins with a setting provided by the instrumental piece "God Save The Keg." Swept away into expecting much of the same, it is followed by the spellbinding "Locked Within The Crystal Ball." The tantalizing track is a harmonics dynamo built with waves of guitar virtuosity, mesmerizing vocals and a war drum rhythm section keeping the beat. Easy to get dizzy trying to count the instruments used on this outstanding song. It's hard to follow a lead like that but the subdued "Guided Cage" is mystery and beauty wrapped in strings... violin and flamenco. There are moments where you can hear flashes of Kate Bush, Celine Dion and even Sarah Brightman on these tracks. "Rainbow Eyes" is one of those moments and the pairing of this voice and guitar is spectacular. Other strong tracks here include "The Circle," "Sister Gypsy" and "Far And Away." The group does reach another crest with their cover of "Can't Help Falling In Love" (which even out-paces Lick The Tins 1987 version from the Some Kind Of Wonderful soundtrack.) The album closes with the lush "Empty Words" which eerily reconstitutes the refrain used in the album-opener "God Save The Keg."

Secret Voyage is truly a journey into musical forms we don't hear expressed often enough. Some styles do get incorporated into other media forms in light doses but Blackmore's Night has a talent for bringing these themes and sounds from ages past into a context of now. Stellar production and performances here. Secret Voyage is the best kept secret out there... just don't tell them that we spilled the beans.


4 out of 5

Night Ranger - Hole In The Sun

Night Ranger. Many images and songs surface to memory when you mention this band who have sold 16 million albums worldwide. What doesn't arise are memories of studio work after 1998's Seven album. Until now. Despite a changing line-up during the last decade, the group played a lot of tour dates and even released several live discs and hits collections. In 2007, the band regrouped to record Hole In The Sun.

Many of the songs will have you checking credits and possibly searching to see if there is a new group that stole the Night Ranger name out there. There isn't. (To help guide the lost, they've even provided stunning acoustic versions of their classics "Don't Tell Me You Love Me" and "Sister Christian" as bonus tracks.) The band have matured. The powerful alcoholic prayer that is "White Knuckle Ride" is an outstanding rock track with a stellar breakdown that engages near the 3 minute mark. Rock tracks abound on this collection. The opener, "Tell Your Vision," blazes to life and harmonizes at just the right moments (eerily sounding like Blue October.) "Drama Queen" is a guitar work-out. The first single, "You're Gonna Hear From Me," is a song that you get the overwhelming urge to chant along. (Reminiscent of "Rock N' Roll Part 2" so I can expect it to be played at sporting events.) I never would have expected a song by the group to open like "Whatever Happened" but it is a clever chorus merged with minimalist Everclear-ish verses. "There Is Life" is a beautiful piano-based triumph. "Rockstar," "Hole In The Sun" and "Revelation 4AM" aren't slackers as they keep up what is a strong rock disc. Even the mellower "Fool In Me" seems to be placed appropriately as a break between some to the heavier tunes. Guitarist Jeff Watson and the group parted ways after recording the album but his influence isn't entirely gone as the relationship reflection of "Being" and the ZZ Top-esque "Wrap It Up," written by him, close the new tracks the disc.

This album is bursting with energy... solar energy composed of group synergy. Topically and rhythmically varied, it is hard to predict what is coming next. There isn't a single let down here. Night Ranger's sound here doesn't rely on old or tried tricks and makes it positively refreshing. Despite it getting released in Japan late last year, a few goodies (the bonus tracks) were placed on here to more than make up for it. I don't see a single hole in this album and I forecast that this sun truly shines on American shores.

4 out of 5

Bret Michaels - Rock My World

After two stints starring in Rock Of Love and a run as a celebrity judge on Nashville Star, Poison frontman Bret Michaels has released his third solo album, Rock My World. The disc features two new songs with remixed and remastered material from his previous solo albums.

Rock My World launches with the playful first single "Go That Far" which also served as the theme song to Michaels' Rock Of Love. Highly appropriate to start the disc as it is familiar to fans that are new to Michaels' solo music. The other new track is "Fallen" which is honestly the best track on the disc. Lyrically potent, the song may be looked at as "Every Rose Has Its Thorn" retread but I would have to differ there. "Driven" (which first appeared on Michaels' 2005 collection Freedom Of Sound Vol. 1) is a welcomed inclusion here as it is as high on energy as it is sexual innuendo. If anything, the most musically diverse tracks were taken for this set and sprinkled throughout the disc. The Blink 182-ish "Bittersweet" feels a little odd in the set when surrounded by powerful songs like "Raine" and "Start Again." "All I Ever Needed" is outstanding and Jessica Andrews vocal assistance adds a needed hint of femininity. "Menace To Society" is lyrically abysmal but the energy is infectious. "Right Now, Right Here" has some haunting moments nestled in the chords. "It's My Party [2008 Mix]" is just an out and out party song.

There is a reason that we avoid reviewing previously-released material. If you've heard it, there is less of a reason for us to tell you about it because you already have an opinion. This collection straddled the fence of our review policies as it contained new songs, new mixes and mastering. That said. This is a good overview of his recording styles. Some may find those 'styles' may be too much, too diverse or too manic for their tastes. That may be good, though, as the project director knew enough not to overload the set with ballads when titled Rock My World. We recommend this album for those newly interested in Michaels' solo career and believe several of these songs deserve inclusion on all of your iPods.

3 out of 5