Erasure - Light At The End Of The World

Erasure have returned with their follow-up to 2005's Nightbird. On Light At The End Of The World, the duo of Vince Clarke and Andy Bell have found renewed energy working with producer Gareth Jones and crafted a terrific collection of upbeat songs.

The first single, "I Could Fall In Love With You," is pop perfection mixing memorable lyrics and a thumping danceable beat. (Ok, maybe there is also something about the opening that makes me think of the Dr. Who theme song.) The second single and opening track, "Sunday Girl," has layers of melody that work well together and nothing gives away that it is a dance song that the lyrics "I'm locked up in a rhythm, the prism of a big glitter ball." "Sucker For Love" is a song that just grows on you. I wasn't that excited about the campy vocal in the opening of the track but the repeating chorus of "the love we have is for the better now" does become an addictive phrase and is the payoff. It is difficult to describe the brilliant track "Storm In A Teacup" other than noting the personal lyrics, broad sonic landscape and haunting melody. Shining from a strong vocal performance and clever production, "Fly Away," is raised above what you expect from Erasure to a highlight. "I admit to originally being confused seeing "Darlene" on the tracklisting (thinking it was a Dolly Parton cover) but found myself pleasantly surprised. The song is their first album track sporting a person's name but I'm thinking that Darlene and darling could be interchangeable. Bell's vocal acrobatics on "Golden Heart," the emotional confusion of "When A Lover Leaves You," the pleading in "Glass Angel" and the shamelessness of "How My Eyes Adore You" can't be left out but hold their own among the 10 tracks.

I believe that a true light at the end of this world would be a big disco ball for this duo. And, on Light At The End Of The World, Erasure triumph and shine on one of the best albums of the year.

4.5 out of 5

Nine Inch Nails - Year Zero

It took Nine Inch Nails maestro Trent Reznor less than a year to release a follow-up to With Teeth. Through a frenzy of USB drives, cell phones and at least 30 Web site addresses the album created a groundswell of anticipation prior to release.

Upon first listen, this isn't my favorite Nine Inch Nails release. I actually remember cutting my teeth as a journalist writing a review for their debut album for a high-school newspaper. The keyboards that drew me to Pretty Hate Machine have gone the way of guitars for subsequent releases. On Year Zero, the guitars are dialed down a little for static and noise creation. That's a good thing. Word that Reznor was experimenting with hip-hop can me misconstrued as there are some great loops here that lay a foundation for some of the tracks and I'm sure someone could have rapped over them if they wanted. "The Warning" is a great example of this. I have to say that "God Given" is the first time that I've heard Reznor urge a sing-a-long during a chorus. The funky beat and deliberate lyrical pauses make the track memorable. "The Great Destroyer" can only be called a production experiment and although some parts are stunning, it readies the listener for the light piano piece "Another Version Of The Truth." There are still some of the expected stellar songs like "Survivalism," "Capital G," "Meet Your Master" and "In This Twilight." The landscape of the album is lush and vibrant making me only wonder how a follow-up album continuing the concept will sound.

4 out of 5

REO Speedwagon - Find Your Own Way Home

REO Speedwagon have released, Find Your Own Way Home, their first new studio effort since 1996's Building The Bridge. It really might have taken them awhile to find it but the band re-establish themselves here. The album is varied enough in tempo, content and delivery to keep the listener on their toes. Instantly memorable tracks here include the classic-sounding title track, the upcoming single "I Needed To Fall" is a powerful ballad, the playful energy on "Run Away Baby" and strong Commitments-like blues on "Born To Love You" (which features vocals by bassist Bruce Hall.) Some of the other tracks have their charms as well. I really enjoy the guitar work on the opening and throughout "Another Lifetime" which should sound great live. "Lost On The Road Of Love" is a blues groove that features what can only be described as a gospel choir on the chorus. "Dangerous Combination" is a smartly written track with a near country rock edge to it and a chorus urging you to sing along. For some reason the chorus of "Everything You Feel" does remind me of The Men's "Church of Logic, Sin & Love" and that's not a bad thing. If anything, it begs to be used in a commercial. "Let My Love Find You" is a pretty song that kind of gets lost among a lot of love songs. The only fault I find with the album is the opening track, "Smilin' In The End," as it didn't knock me over. Yet, the aggressiveness of the song sets a good foundation for the rest of the album to build on.

REO Speedwagon rode the storm out for 11 years and brought back one of the strongest albums of their career. Keep on loving them.
4 out of 5